Robert Wiene

Robert Wiene was born in Breslau, in the German Province of Silesia (now the city of Wrocław in Poland), as the elder son of the successful theatre actor Karl Wiene. His younger brother Conrad also became an actor. Wiene spent his childhood in various cities throughout Central and Western Europe, including Vienna, Stuttgart, Dresden and Prague.

Prior to his directing career, Wiene at studied law at the University of Berlin and the University of Vienna. He practiced law in Weimar until 1908, when he moved back to Vienna to manage a theatre company. During this time, he also acted, in small parts on the stage.

His first involvement with film was in 1912, writing and (possibly) directing Die Waffen der Jugend. In 1919, he co-founded with Heinz Hanus the Filmbund (Film Union), a professional association of Austrian filmmakers and one of the first organizations of its kind in Europe.[2]

His most memorable feature films are the horror film The Cabinet of Dr. Caligari (1920) and Raskolnikow (1923), an adaptation of Dostoyevsky's Crime and Punishment, both of which had a deep influence on the German cinema of that time.

Four months after the Nazis took power, Wiene's latest film, Taifun, was banned on 3 May 1933. A Hungarian film company had been inviting German directors to come to Budapest to make films in simultaneous German/Hungarian versions, and given his uncertain career prospects under the new German regime Wiene took up that offer in September to direct "One Night in Venice" (1934).[3] Wiene went later to London, and finally to Paris where together with Jean Cocteau he tried to produce a sound remake of The Cabinet of Dr. Caligari.[4]

Wiene never returned to Germany, although the reason is unclear. He had no connection to left-wing politics, and had collaborated with Nazi favorite Richard Strauss on "Der Rosenkavalier" in 1925. Although one German obituary identified him as a Jew, he had identified himself as a Protestant in Viennese university and residence records from 1894 through 1925.[3] In addition, Wiene had adapted from a novel and directed the 1923 silent religious film I.N.R.I., depicting in a conventional way the events preceding the crucifixion of Christ.

Wiene died in Paris ten days before the end of production of a spy film, Ultimatum, after having suffered from cancer. The film was finished by Wiene's friend Robert Siodmak.

• The Weapons of Youth (1913)
• The Marriage of Luise Rohrbach (1917)
• Frank Hansen's Fortune (1917)
• Imprisoned Soul (1917)
• The Princess of Neutralia (1917)
• Countess Kitchenmaid (1918)
• The Blue Lantern (1918)
• The Ringwall Family (1918)
• Put to the Test (1918)
• Precious Stones (1918)
• The Lady, the Devil and the Model (1918)
• Agnes Arnau and Her Three Suitors (1918)
• The Homecoming of Odysseus (1918)
• Her Sport (1919)
• The Man of Action (1919)
• Victim of Society (1919)
• A Drive into the Blue (1919)
• The Living Dead (1919)
• Ruth's Two Husbands (1919)
• Diamonds (1920)
• Monika Vogelsang (1920)
• The Adventure of Doctor Kircheisen (1921)
• The Power of Darkness (1924)
• The Guardsman (1925)
• Strauss Is Playing Today (1928)
• Typhoon (1933)