Piedmontese language

The first documents in the Piedmontese language were written in the 12th century, the sermones subalpini, when it was extremely close to Occitan, dating from the 12th century, a document devoted to the education of the Knights Templar stationed in Piedmont.

During reinassance are attested the oldest Piedmontese literary work of secular character, are the works of Zan Zòrs Alion, poet of the duchy of Montferrat, the most famous work being the opera Jocunda.

In the 500s and 600s there are several pastoral comedies with parts in Piedmontese.

In the Baroque period, El Cont Piolèt, a comedy by Giovan Battista Tan-na d'entraive, was published.

Literary Piedmontese developed in the 17th and 18th centuries, but it did not gain literary esteem comparable to that of French or Italian, other languages used in Piedmont. Nevertheless, literature in Piedmontese has never ceased to be produced: it includes poetry, theatre pieces, novels, and scientific work.[3]

The first documents in the Piedmontese language were written in the 12th century, the sermones subalpini, when it was extremely close to Occitan.

Geographical variants of piedmontese

Piedmontese is divided into three major groups

• Western which include the dialects of Turin and Cuneo.
• Eastern which in turn is divided into south-eastern (Astigiano, Roero, Monregalese, High Montferrat, Langarolo, Alessandrino) and north-eastern (Low Montferrat, Biellese, Vercellese, Valsesiano).
• Canavese, spoken in the Canavese region in north-western Piedmont.

The variants can be detected in the variation of the accent and variation of words. It is sometimes difficult to understand a person that speaks a different Piedmontese from the one you are used to, as the words or accents are not the same.

• Apocope, i.e., dropping of all of the unstressed vowels at word end,[14]^: 92–94 except /a/, which is usually centralized to [ɐ].[14]^{: 296–297}
• Syncope i.e., weakening or dropping of unstressed pro-tonic[15]^{: 169–171} and post-tonic vowels: /me'luŋ/ > /mə'luŋ/ > /m'luŋ/,[16]^: 37 same happens in French, and other Gallo-Romance languages. In some cases, prothesis of [ə] or [ɐ] is also present to make some consonant clusters easier to pronounce (ex. novod, "nephew" , [nʊˈvud] > [nvud] > [ɐnˈvud],[15][16] this feature is also present in Emilian.[15]
• Nasalization of vowels in front of /n/, as in Western Romance, and then shift of nasalization from the vowel to /n/ with development of the /ŋn/ cluster, and subsequent dropping of [n] (/'buna/> /'bũna/> /'buŋna/ > /'buŋa/).[16]^: 51
• Development of vowels /ø/ and /y/ from [ɔ] and [uː] of Latin, respectively.[16]^: 36–37
• Consonantal degemination: SERRARE > saré.
• Latin groups of occlusives [kt] and [gd] become [jd]-, as in Gallo-Romance: NOCTEM > neuit [nøi̯d]; LACTEM > làit [lɑi̯d]. Some dialects have reached the more advanced stage, with palatalization of [i̯d] to [d͡ʒ] (for example Vercelli dialect [nød͡ʒ] and [lad͡ʒ]), as happens in Spanish, Occitan, and Brazilian Portuguese.[14]^{: 350–351}
• Palatization of [kl] and [gl] : Latin CLARUS > ciàr [tʃɑi̯r], "light", GLANDIA > gianda [ˈdʒɑŋdɐ] "nut".[14]^{: 552–558}[16]^: 39
• The Latin unvoiced occlusive /p/, /t/, /k/, are voiced (becoming /b/, /d/, /g/), and then lenited and usually drop: FORMICAM > formìa; APRILEM > avril, CATHÉDRA > careja.[16]^: 50
• Latin /k/-/g/ before front vowels, became post-alveolar affricates /t͡ʃ/ and /d͡ʒ/, then /t͡s/ and /d͡z/ due to typical Western Romance assibilation, later /t͡s/ and /d͡z/ became fricatives: /s/ and /z/: CINERE > sënner; CENTUM > sent; GINGIVA > zanziva. [16]^: 38

Piedmontese is written with a modified Latin alphabet. The letters, along with their IPA equivalent, are shown in the table below.

Certain digraphs are used to regularly represent specific sounds as shown below.

All other combinations of letters are pronounced as written. Grave accent marks stress (except for o which is marked by an acute to distinguish it from ò) and breaks diphthongs, so ua and uà are /wa/, but ùa is pronounced separately, /ˈya/.

Some of the characteristics of the Piedmontese language are:

1. The presence of clitic so-called verbal pronouns for subjects, which give a Piedmontese verbal complex the following form: (subject) + verbal pronoun + verb, as in (mi) i von 'I go'. Verbal pronouns are absent only in the imperative form.
2. The bound form of verbal pronouns, which can be connected to dative and locative particles (a-i é 'there is', i-j diso 'I say to him').
3. The interrogative form, which adds an enclitic interrogative particle at the end of the verbal form (Veus-to…? 'Do you want to...?'])
4. The absence of ordinal numerals higher than 'sixth', so that 'seventh' is col che a fà set 'the one which makes seven'.
5. The existence of three affirmative interjections (that is, three ways to say yes): si, sè (from Latin sic est, as in Italian); é (from Latin est, as in Portuguese); òj (from Latin hoc est, as in Occitan, or maybe hoc illud, as in Franco-Provençal, French and Old Catalan and Occitan).
6. The absence of the voiceless postalveolar fricative /ʃ/ (like the sh in English sheep), for which an alveolar S sound (as in English sun) is usually substituted.
7. The existence of an S-C combination pronounced [stʃ].
8. The existence of a velar nasal [ŋ] (like the ng in English going), which usually precedes a vowel, as in lun-a 'moon'.
9. The existence of the third Piedmontese vowel Ë, which is very short (close to the vowel in English sir).
10. The absence of the phonological contrast that exists in Italian between short (single) and long (double) consonants, for example, Italian fata 'fairy' and fatta 'done (F)'.
11. The existence of a prosthetic Ë sound when consonantal clusters arise that are not permitted by the phonological system. So 'seven stars' is pronounced set ëstèile (cf. stèile 'stars').

Piedmontese has a number of varieties that may vary from its basic koiné to quite a large extent. Variation includes not only departures from the literary grammar, but also a wide variety in dictionary entries, as different regions maintain words of Frankish or Lombard origin, as well as differences in native Romance terminology. Words imported from various languages are also present, while more recent imports tend to come from France and from Italian.

A variety of Piedmontese was Judeo-Piedmontese, a dialect spoken by the Piedmontese Jews until the Second World War.

Lexical comparison with other Romance languages and English:

• Zallio, A. G. (1927). "The Piedmontese Dialects in the United States". American Speech. 2 (12): 501–4. doi:10.2307/452803. JSTOR 452803.

Piedmontese edition of Wikipedia, the free encyclopedia

Wikibooks has a book on the topic of: it:Piemontese

For a list of words relating to Piedmontese language, see the Piedmontese language category of words in Wiktionary, the free dictionary.

• Piedmontese language at Curlie
• Cultural Association "Nòste Rèis": features online Piedmontese courses for Italian, French, English, and Spanish speakers with drills and tests
• Piemunteis.it - Online resources about piedmontese language: poems, studies, audio, free books
• Piemontese basic lexicon (several dialects) at the Global Lexicostatistical Database
• Omniglot's entry on Piedmontese